Kasama Potters return with cookware, drinkware, and a new display for the London Design Festival
Following previous successful London showcases, Kasama Potters returned this autumn. A collective of accomplished individual ceramicists from the Japanese ceramic town of Kasama, their work was marked for its quality and diversity. For LDF 2023, Kasama Potters presented a collection of specially fired clay cooking pots and unglazed drink ware. This was shown together with original work and popular pieces at wagumi, on London’s Southbank.
Kasama in London
Japan can be mapped by its crafts, and Kasama is known as a place for ceramics. This has been the case for the past 250 years, with innovations and tribulations leading through history to the town’s modern identity as a location for individual ceramicists. Not far from Tokyo, Kasama has long both sold its wares to the capital, and imported creative talent.
A place with hundreds of potters at work, in 2020 the Kasama Potters project was formed as a showcase for 32 of them. Members of this group have successfully shown work in a series of pop-ups and exchanges in subsequent years, and returned to London in Autumn 2023.
Clay for cooking, and for drinking
At LDF 2023, the Kasama Potters showcased two collections for the first time outside of Japan. One: Kasama Kaki (‘Kasama Fireware’) showed the potential of Japanese style ceramic pots as cooking utensils, and the other: ‘Jun Kasama-yaki’ (‘Pure Kasama ware) the possibilities of Kasama’s clay itself. Donabe cooking pots are a feature of Japanese winter, with warming meals shared at the table. But these shallow pots are just one element of what can be achieved by Japanese potters when making ceramic items for use with direct heat. Deep pots for cookery, tagines with Japanese inspiration, items for tea and for coffee feature within the forms made in Kasama studios, a selection of which will travelled to London this September.
Many ceramicists in Kasama have a love-hate relationship with its clay. A dark material, not always the easiest to shape, it also holds great beauty and potential. This can be seen best when works in it are not glazed. The ‘Jun’ (‘pure’) collection of items developed in Kasama, are just this: unglazed pieces of Kasama ware that show the region’s clay in all its imperfection and rugged beauty. Textural in the hand, there is a particular satisfaction in a hot or cold drink taken from such a vessel - as visitors to the Kasama Potters display during LDF were able to discover.
A new selection of work
The selection at wagumi for the London Design Festival also combined popular pieces from previous collections with new directions.
Akio Nukaga, a potter emblematic of modern Kasama, contributed a pleated vase, in the rhythmical, mid-century inspired style for which he is known. Highlighting the role of Kasama made ceramics as items of beauty in everyday use, Shinya Take showed the quick precision of his kyusu (teapot) form, and slip inlay (zōgan) mugs. Yukihito Nakata meanwhile provided ceramic kitchen mortars in the Japanese suribachi style, for use with pestles cut from the Japanese sansho pepper tree.
New work for LDF includes cups in the purplish blue style of Kōichi Iinuma, with his exquisite gold brush finishing and glaze crystallisation. Also the bold monochrome designs of Kenichiro Inoue, including a new hand painted fish motif katakuchi sake decanter. Slipware potter Giran Sagawa, has a similarly expressive style in pattern, and provided a selection of his ceramic accessories.
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Banner Image: Hiroyuki Onuki